This piece was written at the close of 2006, the year of Pamuk’s Nobel Award.
There is an eccentric paradox embedded somewhere in the business of writing. All writing is a function of solitude, a private ramble between writer and daguerreotype, at once alike and apart. Yet writing can seldom hope to achieve its station unless it is able to evoke from its isolations the utterly universal. Aloofness and belonging are like atom and whole to writing, one doesn’t quite make sense without the other. We have no agreed answers on what makes writers out of people. Perhaps the search for contexts is one of them: Where do we fit in, where does anything? Writing is only minimally the physicality of it, it’s never about a set of words strung into grammatically correct sentences, it’s about the ideas they might, or might not, contain. Continue reading “Orhan Pamuk: Prize and the Literary Pursuit”